A question from Peter Bruck:

Two of performers really stand out from the above selection: Beethoven and Michael Jackson – great music and great performances. But for my generation Bach, Mozart etc are missing.
However, in relation to Peter Erdi’s book the real question is: how to define rules which gives large weight to real, heartbreaking music – like the “Leiermann” of Franz Schubert – instead of the nice ass of blond girls (which is equally enjoyable but not as a musical accomplishment).
Please do make some hints!

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